加国头条 i4cc.ca ｜ OMA新作品：时尚的“立体派”公寓

OMA已经设计建成完成了“121 East 22nd ”公寓，这是它在纽约市的第一座地面建筑。住宅综合体的设计呼应了其位于曼哈顿两个独立街区之间的L形地块：一个围绕格拉梅西公园的安静区域，一个封闭的私人花园；麦迪逊广场公园周围繁华的商业环境，这是一个公共绿地，也用于举办各种各样的活动。该方案包括两个主要建筑——18层的北塔和13层的南塔，其中包含134个单元。

OMA has completed ‘121 east 22nd’ — its first ground up building in new york city. the design of the residential complex responds to its L-shaped site which straddles two separate manhattan neighborhoods: a quiet area surrounding gramercy park, an enclosed private garden; and the bustling commercial setting around madison square park, a public green space that also hosts a wide variety of activities. the scheme comprises two primary structures — the 18-storey north tower and the 13-storey south tower — which, between them, contain 134 units.

负责为Toll Brothers City Living开发商设计该项目的OMA合作伙伴Shohei Shigematsu解释说，该设计恰好地回应和利用了城市的能量和场地的城市环境的双重性。格拉梅西公园和麦迪逊广场的动态交叉点用一个三维棱柱形的角表示，它为社区引入了一种新的身份，同时立面与周围的环境保持一致。”

‘the design appropriately responds to and harnesses the energy of the city and duality of the site’s urban context,’ explains OMA partner shohei shigematsu, who led the design of the project for developers toll brothers city living. ‘the dynamic intersection of gramercy park and madison square is expressed by a three-dimensional, prismatic corner that introduces a new identity to the neighborhood while the fa?ade remains contextual to its neighbors.’

121 East 22nd 的海拔高度也参考了立体派艺术作品，在这些作品中，人们从多个角度来观察物体，而不是单一的角度来代表更大背景下的主题。因此，北塔传达了两个社区的交汇点，通过在第23街和列克星敦大道相连的两个平面实现，形成了一个独特的三维角落。

the elevation of 121 east 22nd also references cubist artwork, in which objects are viewed from a multitude of viewpoints rather than a single one to represent the subject in a greater context. as such, the north tower conveys the meeting of the two neighborhoods, realized through two interlocking planes that come together at 23rd street and lexington avenue to form a distinct, three-dimensional corner.

在街道上，角落是向内雕刻的——这一形式既拓宽了人行道，也为一楼的零售店建立了一个清晰的入口点。建筑的预制混凝土板变得更加大胆，因为立面从角落过渡到临近的战前建筑。主要的住宅入口位于22号街的南塔，在起伏的穿孔窗户的下面。

at street level, the corner is carved inwards — a gesture that both widens the sidewalk and establishes a clear entry point to the retail outlets on the ground floor. the building’s precast concrete panels become bolder as the fa?ade transitions away from the corner towards the neighboring pre-war structures. the main residential entrance is found in the south tower on 22nd street beneath an undulating grid of punched windows.

进入大楼后，迎接居民的是一个漏斗形的大厅，大厅通向一条封闭的走廊和连接两座塔楼的中央“山谷”。位于两座高层建筑之间的山谷被认为是开发中心的“平静绿洲”，以住宅设施和阳台为中心。

在这里，两座塔楼的内立面看起来像一条带状的体积阳台，呈现出头顶上雕塑般的天空景观。

once inside, residents are greeted with a funnel-shaped lobby that leads to an enclosed breezeway and central ‘valley’ that connect the two towers. positioned between the two high-rise structures, the valley has been conceived as a ‘calm oasis’ at the heart of the development, centered around residential amenities and balconies. here, the interior fa?ade of the two towers appears as a ribbon of volumetric balconies that present sculptural views of the sky overhead.

在Shohei Shigematsu的领导下，OMA纽约办事处几个月来一直很忙。在最近彻底翻修了苏富比纽约总部之后，该办公室还完成了“迪奥:从巴黎到世界”的展览设计——该展览将在达拉斯艺术博物馆展出，直到2019年9月1日。

本周早些时候，OMA在竞争中击败了另外两家知名公司morphosis和johnston marklee，为伊利诺斯大学芝加哥分校设计了一个新的艺术中心。

led by shohei shigematsu, it has been a busy few months for OMA’s new york office. having recently overhauled sotheby’s new york headquarters, the office also completed the exhibition design for ‘dior: from paris to the world’ — a show that remains on view at the dallas museum of art until september 1, 2019. earlier this week, OMA held off competition from two other high profile firms — morphosis and johnston marklee — to design a new arts center for the university of illinois at chicago.